Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over armoured cavalry in the battle of Pavia

ID: 41423

unknow artist Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over  armoured cavalry in the battle of Pavia
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unknow artist Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over  armoured cavalry in the battle of Pavia


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unknow artist

  Related Paintings of unknow artist :. | valdreskvinna | Arab or Arabic people and life. Orientalism oil paintings 303 | Portrait of Grand Duke Leopold of Baden | Still life floral, all kinds of reality flowers oil painting 146 | Thomas Cromwell,1 st Earl of Essex |
Related Artists:
Ferdinand von Olivier
painted Loisachtal in 1842-1845
Jan Dirksz Both
Dutch 1610-1652 Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter. From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.
REYNOLDS, Sir Joshua
English Rococo Era Painter, 1723-1792 English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,






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